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  • Mount ijen
  • The Great Silence
  • People from the Delta
  • Roque de los Muchachos
  • Ferris Wheels
  • Isla Bonita
  • Hopper
  • Hollands Water
  • Dancing Monkey
  • Dancing Monkey Portrait
  • Above the Treetops
  • Humans of the World
  • Mount Bromo
  • Landscapes
  • Gallerie
  • People of the Delta
  • Praying to the Sea Goddess
  • Be Just Soccer Club
  • Dagboek van een visser
  • The Vulcano
  • The Quietness of Absense
  • Plastic Clown
  • Diary of a fisherman
  • postscript
  • Aral Sea
  • The Slave Trade
  • Swallowed by the Sea
  • unexpected encounters
  • Galtaj Temple
  • Covid19/1
  • Covid19/2
  • Covid19/4
  • A Modern Day Nomad
  • A breathless world
  • Jan van Genten
  • Brighton
  • The land that time forgot about
  • will there be snow left
  • seascapes
  • 17 | 08 | 1986
  • gallery
  • letter from home
  • archive
  • under a blue moon (i saw you)

 

In an attempt to recreate the past we create the illusion that we control our present. And therefor future. Whereas in reality it is a rather dark view of an irrevocably damaged nature born out of a human longing to find meaning with and within the natural world. It is a manmade way of staving off the inevitable loss that we have brought upon ourselves. Of holding onto the past and trying to reconnect to memory. Nowhere is this more poignant than in the museum of Natural History in Aralsk, a former Soviet fishing port in Kazachstan. The poor state of the museum is in a rather odd way a fitting reflection of the ecological disaster that has troubled this region for the past five decades since the Russians decided to divert the water from the Syr Darya and the Amu Darya, the two rivers that fed into the Aral Sea, in order to develope the cotton industry in one of the driest regions in the world. Instigating one of the greatest ecological catastrophes of the 20th century, the drying up of the Aral Sea.